Searchable Bibliography

Citation
Yu Su-Jeong. “From Nihon Romanha to Manshu Roman – Characteristics of Kitamura Kenjiro’s Works on Immigrating to Manchukuo.” Journal of Manchurian Studies (2016): 67-90. https://doi.org.10.22888/mcsa..21.201606.67
Dan Yuanchao, Piao yang guo hai de Riben wenxue (Japanese Literature Across the Ocean). Beijing: Shehui kexue wenxian chuban she, 2016.
Wang, Yue. “The Literature Selection in Historical Dilemma – Discussion on Shan Ding’s “Local Literature” Proposition during the Puppet Manchukuo Period” Journal of Manchurian Studies 22 pp.111-124 (2016) : 111.
Yuan Xi 袁犀 (2017). “Shi tian” 十天 [Ten Days]. In: Yuan Xi 袁犀, Yuan Xi zuopinji 袁犀作品集 [A Collection of Yuan Xi’s Works]. Harbin: Beifang wenyi chubanshe, 53–63.
“10 things you don’t necessarily know about Abe Kōbō – in Chinese.” (2017). https://www.jiemian.com/article/1288757.html
Liu Yangyang 刘洋洋. 伪满洲国文化政策对东北作家作品的影响 (The influence of Bogus Manzhouguo’s cultural policies on Northeast writers’ publications) , Qingnian wenxuejia (Young writers) 2017, issue 24. https://m.fx361.com/news/2017/0822/2181232.html. Accessed 15 November 2021.
Cai Peijun 蔡佩均. 2017. “Feixu yu xindu: Jue Qing bixia de Manzhou xinren shilianchang” 廢墟與新都：爵青筆下的滿洲新人試煉場 (Ruins and a New City: Manchuria as Proving Ground for the New Man in Jue Qing’s Fiction). In Chuangshang 創傷 (A Trauma), edited by Liu Xiaoli 劉曉麗, 459–79. Shanghai: Shanghai san lian shudian.
Xie Chaokun 謝朝坤. 2017. “Feixu li de wange” 廢墟里的輓歌 (Elegy in the Ruins). In Jue Qing zuopin ji 爵青作品集 (The Collected Works of Jue Qing), edited by Xie Chaokun and Li Ran李冉, 1–13. Harbin: Beifang wenyi chubanshe.
Chen Yan. “Cong zhimin xianchang tiyan dao houzhimin xing si: Li Zhengzhong fangtan lu” [From colonial field experience to post-colonial reflection: An interview with Li Zhengzhong]. Originally published in Shenyang shifan daxue xuebao: Shehui kexuebao [Journal of Shenyang Normal University: Social science edition]. March 2017. Accessed 10 January 2019. https://www.sohu.com/a/192867005_713945.
Chu Guoqing. “Li Zhengzhong bei yu tie jiehe zuihao de shujia dianfan” [Li Zhengzhong is the best model of calligrapher who combines stele and post]. Zhongguo paimai [China auction] (March 2017) Accessed 8 January 2021. http://www.cqvip.com/qk/70218x/201703/671489068.html.
Jiang Lei and Jin Hong. “Dikang wenxue zuojia “feidianxing” jingli di dianxing yiyi: Yi Li Zhengzhong wenxue shengya wei ge’an.” [The typical significance of the “atypical” experiences of resistance literary writers: A case study of Li Zhengzhong’s literary career]. Shenyang shifan daxue xuebao: Shehui kexuebao [Journal of Shenyang Normal University: Social science edition]. No. 3, 2017. Accessed 10 February 2018. https://www.sohu.com/a/194536395_713945.
Liu Hengxing 劉恆興 . “Wenxue, zhuti yu shehui: ‘Manzhouguo’ wentan jianshe lunzheng de qiyuan yu fazhan” 文學、主體與社會：「滿州國」文壇建設論爭的起源與發展 (1935-1936) [Literature, Subjectivity, and Society: The Origin and Development of Debates on Literary Construction in Manchukuo, 1935-1936]. Wen yu zhe 30, 2017, 129–178.
Okada Hideki 岡田英樹. Wei Manzhouguo wenxue xu 偽滿洲國文學續 (Literature of the Manchukuo Puppet Regime, Volume 2). Harbin: Dongfang wenyi chubanshe, 2017.
Xie, Miya Qiong. “The Literary Territorialization of Manchuria: Rethinking National and Transnational Literature in East Asia.” Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences, 2017. http://nrs.harvard.edu/urn%2D3:HUL.InstRepos:41141198.
Poland, Stephen. “Manchukuo as Method: Problematizing Nationality in Literature, 1906–1945.” PhD diss., Yale University, 2017.
Liu Hengxing. “文學、主體與社會：「滿洲國」文壇建設論爭的起源與發展（1935-1936).” 文與哲 30 (2017): 129-178. http://www.chinese.nsysu.edu.tw/uploads/chapter/file/5ddb6c71babd2904cd000516/文學_主體與社會__滿州國_文壇建設論爭的起源與發展_1935-1936_.pdf.
Liu Xiaoli 劉曉麗. “Jiezhixing neizai yu zhimindi wenxue” 解殖性內在於殖民地文學 (The Inherent Lyo-colonialism in the Literature of the Colonies). In Dongya wenxue chang: Taiwan, Chaoxian, Manzhou de zhiminzhuyi yu wenhua jiaoshe 東亞文學場：台灣、朝鮮、滿洲的殖民主義與文化交涉 (The East Asian Literary Field: Colonialism and Cultural Interaction in Taiwan, Joseon, and Manchuria), edited by Liu Shuqin 柳書琴, 87–106. New Taipei City: Lianjing chuban gongsi, 2018.
Li, Qiunan. “Everyday Life in the Puppet State: A Study of Ordinary People’s Experiences in Manchukuo.” PhD thesis, University of Sheffield, School of East Asian Studies, 2018. https://etheses.whiterose.ac.uk/22326/.
Wang Yue, 王越. 殖民语境下东北新文学发展的另一种可能——以梅娘在伪满文坛的两种文学身份标签为中心 Sohu.com 2018-12-10 18:19. (Accessed 24 October 2021). https://www.sohu.com/a/280899116_713945?sec=wd
Shan Yuanchao. “A Japanese Female Writer’s Mental Journey in Manchukuo—Take Ushijima Haruko’s “Snow Sky”, “Woman” and “Fu Shou Cao” as examples.” https://www.sohu.com/a/255804841_713945.
Yue Chen. “Between Sovereignty and Coloniality––Manchukuo Literature and Film.” PhD diss., University of Oregon, 2018. http://hdl.handle.net/1794/23783.
Choi, Jeehyun. 2018. “Writing Manchukuo: Peripheral Realism and Awareness in Kang Kyŏngae’s Salt.” Cross-Currents: East Asian History and Culture Review (e-journal) 28: 48–68. https://cross- currents.berkeley.edu/e-journal/issue-28/choi.
Smith, Norman and Chen Shi, eds. Tian Lin zuopin ji qi yanjiu [Tian Lin’s writings and research on them]. Shanghai: Jiaotong daxue chubanshe, 2018.
Zhao Huanyu 赵寰宇, 满洲报小说研究 (Research on Fiction in Manchuria Daily). Beijing: Zhongguo shehui kexue chuban she, 2019.
Ke Ju [Li Zhengzhong], Norman Smith, transl. “Zhu Ti and I.” In Annika Culver and Norman Smith, eds. Manchukuo Perspectives: Transnational Approaches to Literary Production. Hong Kong: Hong Kong University Press, 2019. 134-139; 136.
Chen Yan. “Acculturation and Border-Crossing in Manchukuo Literature: Mei Niang, Liu Longguang, and Yuan Xi.” In Annika Culver and Norman Smith, eds. Manchukuo Perspectives: Transnational Approaches to Literary Production. Hong Kong: Hong Kong University Press, 2019, 175-188.
Chen Yan. “Acculturation and Border-Crossing in Manchukuo Literature: Mei Niang, Liu Longguang, and Yuan Xi.” In Annika Culver and Norman Smith, eds. Manchukuo Perspectives: Transnational Approaches to Literary Production. Hong Kong: Hong Kong University Press, 2019, 175-188.
梅娘：与张爱玲齐名的长春籍女作家(Mei Niang: Changchun-born Female Writer with the Same Fame as Zhang Ailing). Sohu.com. 18 April 2019. https://www.sohu.com/a/308696618_100188742.
Chen Shi. “Fairy Tales and the Creation of the ‘Future Nation’ of Manchukuo.” In Annika Culver and Norman Smith, eds. Manchukuo Perspectives: Transnational Approaches to Literary Production. Hong Kong: Hong Kong University Press, 2019, 28-43.
Xu, Jing. “The Politics of Memory: Cultural Interaction and Confrontation among the Haunting Ghosts of Russians, Japanese, and Chinese in Harbin.” PhD diss., York University, 2019. http://hdl.handle.net/10315/36353.
He Shuang何爽. 暗夜中的萤光 (Fluorescence in the Dark Night). 名作鉴赏·回顾版 Mingzuo xinshang·pinglun ban (Masterpiece Appreciation: Review edition) 10 April 2019. (Analysis of the writings of Wang Qiuying). Located at https://m.fx361.com/news/2019/0410/4937643.html Accessed 27 October 2021.
Jiang Lei. “Spiritual Resistance: A Study of the Phenomenon of Resistance Literature in Supplements of Manchukuo’s Datong bao [Great Unity Herald].” In Manchukuo Perspectives. Transnational Approaches to Literary Production, edited by Anika A. Culver and Norman Smith, 13–27. Hong Kong: Hong Kong University Press, 2019.
Miya Qiong Xie. “Linguistic Hybridity, Transnational Connectivity, and the Cultural Territorialization of Colonial Literature: The Case of Gu Ding” In Manchukuo Perspectives. Transnational Approaches to Literary Production, edited by Anika A. Culver and Norman Smith, 13–27. Hong Kong: Hong Kong University Press, 2019.
Ying Xiong. “Utopianism Unrealized: Ouichi Takao’s Literary Translation in Manchukuo” In Manchukuo Perspectives. Transnational Approaches to Literary Production, edited by Anika A. Culver and Norman Smith, 13–27. Hong Kong: Hong Kong University Press, 2019.
Junko Agnew. “Sickness, Death, and Survival in the Works of Gu Ding and Xiao Hong” In Manchukuo Perspectives. Transnational Approaches to Literary Production, edited by Anika A. Culver and Norman Smith, 13–27. Hong Kong: Hong Kong University Press, 2019.
Smith, Norman. “Manchukuo Melancholy: The Writings of Ke Ju and Zhu Ti” In Manchukuo Perspectives. Transnational Approaches to Literary Production, edited by Anika A. Culver and Norman Smith, 13–27. Hong Kong: Hong Kong University Press, 2019.
Zhang Quan. “Searching for Memories of Colonial Literature in Modern History: Centering Mei Niang’s Border and Generational Crossings” In Manchukuo Perspectives. Transnational Approaches to Literary Production, edited by Anika A. Culver and Norman Smith, 13–27. Hong Kong: Hong Kong University Press, 2019.
Zhan Li. “The Imagination of Heterogenous Space and Implicit Transformations of Identity: Manchukuo’s “Japanese” and “Manchurian” Detective Novelists” In Manchukuo Perspectives. Transnational Approaches to Literary Production, edited by Anika A. Culver and Norman Smith, 13–27. Hong Kong: Hong Kong University Press, 2019.
Poland, Stephen. “The Literary Politics of Harmonization and Dissonance: Heterolingual Address in Nogawa Takashi’s “The People Who Go to the Hamlet”” In Manchukuo Perspectives. Transnational Approaches to Literary Production, edited by Anika A. Culver and Norman Smith, 13–27. Hong Kong: Hong Kong University Press, 2019.
Watanabe Naoki. “ “Manchuria” and the Proletarian Literature of Colonial Korea” In Manchukuo Perspectives. Transnational Approaches to Literary Production, edited by Anika A. Culver and Norman Smith, 13–27. Hong Kong: Hong Kong University Press, 2019.
Chen Yue. Multiethnicity and Multilingualism in the Minor Literature of Manchukuo. positions 1 May 2020; 28 (2): 341–362. doi: https://doi.org/10.1215/10679847-8112475
Heward, Lehyla G. “Writing ‘Manchurian-Korean Literature’ in the Mansŏn Ilbo, 1937–1942.” Seoul journal of Korean studies 33, no. 2 (2020): 395–418.
Blahota, Martin. “A Uyghur Concubine and a French Juggler Resisting Japanese Imperialism: Jue Qing’s Aesopian Language in Manchukuo’s Official Literature.” Journal of the European Association for Chinese Studies, vol. 1 (2020): 89– 127. DOI: 10.25365/jeacs.2020.1.89-127.
Chu Guoqing. “Bainian di shou Zhao Bei’an: Li Zhengzhong yu ta de shufa yishu” [One hundred years of bowing Zhao Bei’an: Li Zhengzhong and his calligraphy art]. Wei Manzhouguo yanjiu zhongxin [Bogus Manchukuo Research Centre] 20 April 2020. Accessed 27 December 2020.
Huang Wenxin, “Bainian yi meng: Zhuiyi enshi Li Zhengzhong laoshi” [One hundred years, one dream: Recalling teacher Mr. Li Zhengzhong]. Zhongguo fangtan wang [China interview network]. 29 February 2020. Accessed 27 December 2020): http://www.fangtan.org.cn/app/view.php?aid=195935.
天空没有留下翅膀的痕迹，但我已经飞过——记民国女作家梅娘(There are no Traces of Wings Left in the Sky, But I Have Already Flown By: The Story of the Female Writer Mei Niang in the Republic of China). Sohu.com. 28 March 2020. https://www.sohu.com/a/383889308_483111.
Culver, Anika A. and Norman Smith (ed.). Manchukuo Perspectives. Transnational Approaches to Literary Production. Hong Kong: Hong Kong University Press, 2020.
Liu Chao. “From Radical Nationalism to Anti-modernism. The Intellectual Dilemma of Wenxuan Writers.” In Manchukuo Perspectives. Transnational Approaches to Literary Production, edited by Anika A. Culver and Norman Smith, 140–56. Hong Kong: Hong Kong University Press, 2020.
Liu Xiaoli. “Unpacking ‘New Manchuria’ Narratives. Propaganda, Fact, Memory, and Aesthetics.” In Manchukuo Perspectives. Transnational Approaches to Literary Production, edited by Anika A. Culver and Norman Smith, 13–27. Hong Kong: Hong Kong University Press, 2020.
Ōkubō Akio. “Luo Tuosheng and Manchukuo Literature: The Literary Endeavours of a Manchukuo Student in Imperial Japan.” In Anika A. Culver and Norman Smith (eds.), Manchukuo Perspectives. Transnational Approaches to Literary Production. Hong Kong: Hong Kong University Press, 2020, 140–56.

Citation

Yu Su-Jeong. “From Nihon Romanha to Manshu Roman – Characteristics of Kitamura Kenjiro’s Works on Immigrating to Manchukuo.” Journal of Manchurian Studies (2016): 67-90. https://doi.org.10.22888/mcsa..21.201606.67

Dan Yuanchao, Piao yang guo hai de Riben wenxue (Japanese Literature Across the Ocean). Beijing: Shehui kexue wenxian chuban she, 2016.

Wang, Yue. “The Literature Selection in Historical Dilemma – Discussion on Shan Ding’s “Local Literature” Proposition during the Puppet Manchukuo Period” Journal of Manchurian Studies 22 pp.111-124 (2016) : 111.

Yuan Xi 袁犀 (2017). “Shi tian” 十天 [Ten Days]. In: Yuan Xi 袁犀, Yuan Xi zuopinji 袁犀作品集 [A Collection of Yuan Xi’s Works]. Harbin: Beifang wenyi chubanshe, 53–63.

“10 things you don’t necessarily know about Abe Kōbō – in Chinese.” (2017). https://www.jiemian.com/article/1288757.html

Liu Yangyang 刘洋洋. 伪满洲国文化政策对东北作家作品的影响 (The influence of Bogus Manzhouguo’s cultural policies on Northeast writers’ publications) , Qingnian wenxuejia (Young writers) 2017, issue 24. https://m.fx361.com/news/2017/0822/2181232.html. Accessed 15 November 2021.

Cai Peijun 蔡佩均. 2017. “Feixu yu xindu: Jue Qing bixia de Manzhou xinren shilianchang” 廢墟與新都：爵青筆下的滿洲新人試煉場 (Ruins and a New City: Manchuria as Proving Ground for the New Man in Jue Qing’s Fiction). In Chuangshang 創傷 (A Trauma), edited by Liu Xiaoli 劉曉麗, 459–79. Shanghai: Shanghai san lian shudian.

Xie Chaokun 謝朝坤. 2017. “Feixu li de wange” 廢墟里的輓歌 (Elegy in the Ruins). In Jue Qing zuopin ji 爵青作品集 (The Collected Works of Jue Qing), edited by Xie Chaokun and Li Ran李冉, 1–13. Harbin: Beifang wenyi chubanshe.

Chen Yan. “Cong zhimin xianchang tiyan dao houzhimin xing si: Li Zhengzhong fangtan lu” [From colonial field experience to post-colonial reflection: An interview with Li Zhengzhong]. Originally published in Shenyang shifan daxue xuebao: Shehui kexuebao [Journal of Shenyang Normal University: Social science edition]. March 2017. Accessed 10 January 2019. https://www.sohu.com/a/192867005_713945.

Chu Guoqing. “Li Zhengzhong bei yu tie jiehe zuihao de shujia dianfan” [Li Zhengzhong is the best model of calligrapher who combines stele and post]. Zhongguo paimai [China auction] (March 2017) Accessed 8 January 2021. http://www.cqvip.com/qk/70218x/201703/671489068.html.

Jiang Lei and Jin Hong. “Dikang wenxue zuojia “feidianxing” jingli di dianxing yiyi: Yi Li Zhengzhong wenxue shengya wei ge’an.” [The typical significance of the “atypical” experiences of resistance literary writers: A case study of Li Zhengzhong’s literary career]. Shenyang shifan daxue xuebao: Shehui kexuebao [Journal of Shenyang Normal University: Social science edition]. No. 3, 2017. Accessed 10 February 2018. https://www.sohu.com/a/194536395_713945.

Liu Hengxing 劉恆興 . “Wenxue, zhuti yu shehui: ‘Manzhouguo’ wentan jianshe lunzheng de qiyuan yu fazhan” 文學、主體與社會：「滿州國」文壇建設論爭的起源與發展 (1935-1936) [Literature, Subjectivity, and Society: The Origin and Development of Debates on Literary Construction in Manchukuo, 1935-1936]. Wen yu zhe 30, 2017, 129–178.

Okada Hideki 岡田英樹. Wei Manzhouguo wenxue xu 偽滿洲國文學續 (Literature of the Manchukuo Puppet Regime, Volume 2). Harbin: Dongfang wenyi chubanshe, 2017.

Xie, Miya Qiong. “The Literary Territorialization of Manchuria: Rethinking National and Transnational Literature in East Asia.” Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences, 2017. http://nrs.harvard.edu/urn%2D3:HUL.InstRepos:41141198.

Poland, Stephen. “Manchukuo as Method: Problematizing Nationality in Literature, 1906–1945.” PhD diss., Yale University, 2017.

Liu Hengxing. “文學、主體與社會：「滿洲國」文壇建設論爭的起源與發展（1935-1936).” 文與哲 30 (2017): 129-178. http://www.chinese.nsysu.edu.tw/uploads/chapter/file/5ddb6c71babd2904cd000516/文學_主體與社會__滿州國_文壇建設論爭的起源與發展_1935-1936_.pdf.

Liu Xiaoli 劉曉麗. “Jiezhixing neizai yu zhimindi wenxue” 解殖性內在於殖民地文學 (The Inherent Lyo-colonialism in the Literature of the Colonies). In Dongya wenxue chang: Taiwan, Chaoxian, Manzhou de zhiminzhuyi yu wenhua jiaoshe 東亞文學場：台灣、朝鮮、滿洲的殖民主義與文化交涉 (The East Asian Literary Field: Colonialism and Cultural Interaction in Taiwan, Joseon, and Manchuria), edited by Liu Shuqin 柳書琴, 87–106. New Taipei City: Lianjing chuban gongsi, 2018.

Li, Qiunan. “Everyday Life in the Puppet State: A Study of Ordinary People’s Experiences in Manchukuo.” PhD thesis, University of Sheffield, School of East Asian Studies, 2018. https://etheses.whiterose.ac.uk/22326/.

Wang Yue, 王越. 殖民语境下东北新文学发展的另一种可能——以梅娘在伪满文坛的两种文学身份标签为中心 Sohu.com 2018-12-10 18:19. (Accessed 24 October 2021). https://www.sohu.com/a/280899116_713945?sec=wd

Shan Yuanchao. “A Japanese Female Writer’s Mental Journey in Manchukuo—Take Ushijima Haruko’s “Snow Sky”, “Woman” and “Fu Shou Cao” as examples.” https://www.sohu.com/a/255804841_713945.

Yue Chen. “Between Sovereignty and Coloniality––Manchukuo Literature and Film.” PhD diss., University of Oregon, 2018. http://hdl.handle.net/1794/23783.

Choi, Jeehyun. 2018. “Writing Manchukuo: Peripheral Realism and Awareness in Kang Kyŏngae’s Salt.” Cross-Currents: East Asian History and Culture Review (e-journal) 28: 48–68. https://cross- currents.berkeley.edu/e-journal/issue-28/choi.

Smith, Norman and Chen Shi, eds. Tian Lin zuopin ji qi yanjiu [Tian Lin’s writings and research on them]. Shanghai: Jiaotong daxue chubanshe, 2018.

Zhao Huanyu 赵寰宇, 满洲报小说研究 (Research on Fiction in Manchuria Daily). Beijing: Zhongguo shehui kexue chuban she, 2019.

Ke Ju [Li Zhengzhong], Norman Smith, transl. “Zhu Ti and I.” In Annika Culver and Norman Smith, eds. Manchukuo Perspectives: Transnational Approaches to Literary Production. Hong Kong: Hong Kong University Press, 2019. 134-139; 136.

Chen Yan. “Acculturation and Border-Crossing in Manchukuo Literature: Mei Niang, Liu Longguang, and Yuan Xi.” In Annika Culver and Norman Smith, eds. Manchukuo Perspectives: Transnational Approaches to Literary Production. Hong Kong: Hong Kong University Press, 2019, 175-188.

梅娘：与张爱玲齐名的长春籍女作家(Mei Niang: Changchun-born Female Writer with the Same Fame as Zhang Ailing). Sohu.com. 18 April 2019. https://www.sohu.com/a/308696618_100188742.

Chen Shi. “Fairy Tales and the Creation of the ‘Future Nation’ of Manchukuo.” In Annika Culver and Norman Smith, eds. Manchukuo Perspectives: Transnational Approaches to Literary Production. Hong Kong: Hong Kong University Press, 2019, 28-43.

Xu, Jing. “The Politics of Memory: Cultural Interaction and Confrontation among the Haunting Ghosts of Russians, Japanese, and Chinese in Harbin.” PhD diss., York University, 2019. http://hdl.handle.net/10315/36353.

He Shuang何爽. 暗夜中的萤光 (Fluorescence in the Dark Night). 名作鉴赏·回顾版 Mingzuo xinshang·pinglun ban (Masterpiece Appreciation: Review edition) 10 April 2019. (Analysis of the writings of Wang Qiuying). Located at https://m.fx361.com/news/2019/0410/4937643.html Accessed 27 October 2021.

Jiang Lei. “Spiritual Resistance: A Study of the Phenomenon of Resistance Literature in Supplements of Manchukuo’s Datong bao [Great Unity Herald].” In Manchukuo Perspectives. Transnational Approaches to Literary Production, edited by Anika A. Culver and Norman Smith, 13–27. Hong Kong: Hong Kong University Press, 2019.

Miya Qiong Xie. “Linguistic Hybridity, Transnational Connectivity, and the Cultural Territorialization of Colonial Literature: The Case of Gu Ding” In Manchukuo Perspectives. Transnational Approaches to Literary Production, edited by Anika A. Culver and Norman Smith, 13–27. Hong Kong: Hong Kong University Press, 2019.

Ying Xiong. “Utopianism Unrealized: Ouichi Takao’s Literary Translation in Manchukuo” In Manchukuo Perspectives. Transnational Approaches to Literary Production, edited by Anika A. Culver and Norman Smith, 13–27. Hong Kong: Hong Kong University Press, 2019.

Junko Agnew. “Sickness, Death, and Survival in the Works of Gu Ding and Xiao Hong” In Manchukuo Perspectives. Transnational Approaches to Literary Production, edited by Anika A. Culver and Norman Smith, 13–27. Hong Kong: Hong Kong University Press, 2019.

Smith, Norman. “Manchukuo Melancholy: The Writings of Ke Ju and Zhu Ti” In Manchukuo Perspectives. Transnational Approaches to Literary Production, edited by Anika A. Culver and Norman Smith, 13–27. Hong Kong: Hong Kong University Press, 2019.

Zhang Quan. “Searching for Memories of Colonial Literature in Modern History: Centering Mei Niang’s Border and Generational Crossings” In Manchukuo Perspectives. Transnational Approaches to Literary Production, edited by Anika A. Culver and Norman Smith, 13–27. Hong Kong: Hong Kong University Press, 2019.

Zhan Li. “The Imagination of Heterogenous Space and Implicit Transformations of Identity: Manchukuo’s “Japanese” and “Manchurian” Detective Novelists” In Manchukuo Perspectives. Transnational Approaches to Literary Production, edited by Anika A. Culver and Norman Smith, 13–27. Hong Kong: Hong Kong University Press, 2019.

Poland, Stephen. “The Literary Politics of Harmonization and Dissonance: Heterolingual Address in Nogawa Takashi’s “The People Who Go to the Hamlet”” In Manchukuo Perspectives. Transnational Approaches to Literary Production, edited by Anika A. Culver and Norman Smith, 13–27. Hong Kong: Hong Kong University Press, 2019.

Watanabe Naoki. “ “Manchuria” and the Proletarian Literature of Colonial Korea” In Manchukuo Perspectives. Transnational Approaches to Literary Production, edited by Anika A. Culver and Norman Smith, 13–27. Hong Kong: Hong Kong University Press, 2019.

Chen Yue. Multiethnicity and Multilingualism in the Minor Literature of Manchukuo. positions 1 May 2020; 28 (2): 341–362. doi: https://doi.org/10.1215/10679847-8112475

Heward, Lehyla G. “Writing ‘Manchurian-Korean Literature’ in the Mansŏn Ilbo, 1937–1942.” Seoul journal of Korean studies 33, no. 2 (2020): 395–418.

Blahota, Martin. “A Uyghur Concubine and a French Juggler Resisting Japanese Imperialism: Jue Qing’s Aesopian Language in Manchukuo’s Official Literature.” Journal of the European Association for Chinese Studies, vol. 1 (2020): 89– 127. DOI: 10.25365/jeacs.2020.1.89-127.

Chu Guoqing. “Bainian di shou Zhao Bei’an: Li Zhengzhong yu ta de shufa yishu” [One hundred years of bowing Zhao Bei’an: Li Zhengzhong and his calligraphy art]. Wei Manzhouguo yanjiu zhongxin [Bogus Manchukuo Research Centre] 20 April 2020. Accessed 27 December 2020.

Huang Wenxin, “Bainian yi meng: Zhuiyi enshi Li Zhengzhong laoshi” [One hundred years, one dream: Recalling teacher Mr. Li Zhengzhong]. Zhongguo fangtan wang [China interview network]. 29 February 2020. Accessed 27 December 2020): http://www.fangtan.org.cn/app/view.php?aid=195935.

天空没有留下翅膀的痕迹，但我已经飞过——记民国女作家梅娘(There are no Traces of Wings Left in the Sky, But I Have Already Flown By: The Story of the Female Writer Mei Niang in the Republic of China). Sohu.com. 28 March 2020. https://www.sohu.com/a/383889308_483111.

Culver, Anika A. and Norman Smith (ed.). Manchukuo Perspectives. Transnational Approaches to Literary Production. Hong Kong: Hong Kong University Press, 2020.

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